Jeremy Keith Villaluz is a photographer who has serving the San Francisco Bay Area since 2010. An experienced educator, having taught courses at San Francisco State University and Skyline College, he is primarily known for his body of work, Enclave, which deals with the paradox of immigrant imaginaries amidst suburban development and resegregation.

Enclave is set in his hometown of Daly City—a suburban town neighboring San Francisco that is also home to one of the densest populations of Filipinos outside of the Philippines. With the rapid socioeconomic and infrastructural shift the San Francisco Bay Area happening in the mid-2010s, Enclave placed Villaluz’ experiences in this established immigrant community at center and examined the slippage of the socio-political legacies, relentless gentrification, and intergenerational families experiencing multiple notions of time, delay, and success.

A follow-up known as Still Life, completed in 2022, continues his practice of personal reportage seen in works prior. However, contrary to the traversal of physical space in Enclave, the unintentional sequel takes a notable introspective shift as he was forced to confront the nation’s shelter-in-place mandates that were enacted due to the emergence of the COVID-19 pandemic.

Onwards, he continues to lean into interests rooted in ethnographic themes around migration, culture, and landscape through contemporary art and photography.