Over the years, I’ve shaped my life around a deep interest in photography. I’ve always valued the human connection that comes with portraiture, but later found myself gravitating into documentary and landscape photography. I’ve enjoyed how the three arenas working in tandem can reveal so much about a particular subject.

As an experienced educator, I often use my background in Ethnic Studies to inform my creative work. One result is Enclave, a body of work that provides a revealing survey of Daly City in the mid-2010s. Leveraging visual language often seen in reportage and landscape photography, the work centers around my family’s experience and frames immigrant imaginaries amidst suburban development.

A follow-up project known as Still Life, completed in 2022, continues that practice. However, contrary to the traversal of physical space in Enclave, the unintentional sequel stays close to home, instead moving with more introspection as my family was forced to confront shelter-in-place mandates enacted due to the emergence of the COVID-19 pandemic.

Onwards—often collaborating with like-minded creatives, scholars, educators, and community advocates—I continue to lean into interests rooted in ethnographic themes around culture, migration, landscape, and home.